9/19/12

FeedBack w. Wes Nyle. EP27. Silver Ships (Interview w. Chazz and Kat). 09.19.12


On this podcast Wes Nyle chats on the phone with one of the coolest, newest, and insatiably creative indie rock artists in Austin right now. Chazz Bessette of Silver Ships, and his girlfriend Kat Hernandez are working in an all analog home studio they’ve created in their master bedroom and will be releasing an album on vinyl as well as a digital release as soon as January.

Before the album is released Chazz elaborates on a few songs, shares some hope recording tips, and shares a FeedBack (Podcast) exclusive track: Summer's Gone. Wes also talks with them about the struggles and triumphs of owning and operating a home studio, the differences between digital and analog, Mexican candy, and drunken hamsters.

SPOILER ALLERT: There’s hardly any.

Support Silver Ships Here: FB/ ReverbNation
Listen to Silver Ships FeedBack (Podcast) exclusive track @ www.WesTexasMedia.com/FeedBack

9/10/12

FeedBack w. Wes Nyle. EP26. Lambchop. 09.10.12


Many credit the early nineties as the dawn of indie music. And at the helm of this movement, even if by accident, was Lambchop. A group fronted by Nashville native Kurt Wagner. One that started distributing self-recorded tapes in nineteen-ninety, and is now titled as one of the most original country bands around.

You won’t find Lambchop touring much, simply because Wagner’s supporting cast is constantly changing, and even now when on the road, Kurt admits live shows are an interpretation of the current album. Albums that always try to carry a concept; a feat that Wagner admits is getting more drawn out as he moves into his late fifties.

Through the years the band has dawned many names, albums, members and even genres. The lineup of each record is impossible for me to comprehend as the list of Kurt’s companions in Nashville continues to expand. And with elements of Soul, Jazz, Lounge, and Country Western, mashed with nonobjective lyrics, even the music snobs settled on defining this eclectic sound as simply Alt-Country.

This year Kurt celebrates the release of his 11th studio album Mr. M an album that was recorded with his longtime friend and famous Nashville producer Mark Nevers, and is highlighted with help from Crotney Tidwell, his partner in crime from his folk duet KORT, that coverd 50’s and 60’s country classics from Chart Records.

The first track If Not I’ll Just Die vaguely references The Carpenters, and was written while Wagner was spending Christmas with his family in his crowded house as he picked up on bits and pieces of conversation and action. This seems fitting to me as the track almost harnesses the feeling of a fifties Christmas classic. But with lyrics that put you in a quite tailspin like only Lambchop can.

This is Kirt Wagner as Lambchop.

Soaky in the Pooper
Grumpus
Gone Tomorrow
B2B
If Not I’ll Just Die

8/24/12

FeedBack w. Wes Nyle. EP254. Walk the Moon. 08.17.12



Like anything worth doing, it takes time to get where you want to be. This year Cincinnati locals Nick Petricca, Kevin Ray, Eli Maiman, and Sean Waugaman have signed with RCA, and their self-titled album Walk the Moon is gaining traction with it’s current hit Anna Sun sitting 24th on Billboard’s Rock Song charts.

Only three years before the success of the RCA release Nick was trying to build the bands reputation by touring local venues and pedaling two self-made albums. Petricca says, Walk the Moon’s current lineup, the lineup that freshens up tracks from their harder to find 2010 self-distributed I Want! I Want! on the new self-titled, has only been around since this year. But with the bands new found following, and touring schedule changes are a survival tactic at this point.

There is something endearing about a group who pays attention to their audience in aspects that most artists wouldn’t. Face paint on the band and crowd is now a trademark at most live shows. This is a call back to the Anna Sun music video where Nick walks through a sea of friends in costume and face paint in between moments of Thriller and Westside Story style dance offs. In the spirit of keeping his friends involved, the video was the brain child of Nick’s friend who is an indie director, and used a local Chicagoan dance group to choreograph the five and a half minuet continuous shot.

As a band with relatively newly found success it’s hard to say what lies in the future for such a fanccentric group. Something that has been promised in interviews with Walk the Moon is evolution. The quartet sites the Talking Heads, David Bowie and The Red Hot Chili Peppers as influences. And with such a blatant Police reference as the band’s name I’d say the shoes to fill are quite large. However this debut effort is a good place to start.

This is Walk the Moon.

Tracks Heard In This Podcast:
I Can Lift A Car (All By Myself)
I Want! I Want!
Anna Sun
Tightrope
Jenny

8/16/12

FeedBack w. Wes Nyle. EP24. Givers. 08.17.12



When you hear stories of the modern music era success, stories of youtube, iTunes, and social networking seem to be a centralized theme. It’s refreshing to know that bands still create buzz and build a fan base the old fashion way. By playing what they love, being recognized by local clubs, and expanding through traditional word of mouth outlets.

During January of 2009 in Lafayette, LA a quintet was developing from the idea that traditional African, Cajun and Zydeco elements, can be held together with an experimental glue. Taylor Guarisco and Tiffany Lamson were home from the University of New Orleans, after Hurricane Katrina. The two had been playing since 2005 and were now experimenting with, Kirby Campbell on drums, and Josh LeBlanc who then was known as one of the most impressive trumpet players in the area, but now on bass.

Kirby was attending Berklee College of Music but after a late night jam, Guarisco posed the question that they should start a band. The chemistry must have been magic that night, because Kirby decided to stay, and a few months later Taylor received a call from a local venue looking to fill a last minute opening. At that point the band had found their six-pieces, with Will Henderson on keys, sax and whatever else he could blow into, alongside him multi-instrumentalist Nick Stephan. The groups years of improvisational practice had finally paid off, the band would play two hours that night, and forced them to come up with a name. They decided on Givers a track from the band Lucky Dragons.

As time has marched on the group has lost Will as a member but this band is steamrolling their way into notoriety. Finding their debut full length In Light on Glassnote Records: a label that houses acts like Childish Gambino, The Temper Trap, and Mumford and Sons.

This is Givers.

Download Givers first full length effort In Light for five buck on Amazon.

Tracks Heard In This Podcast:
Saw You First
Up Up Up
Ceiling of Plankton
Givers – Lucky Dragon
Meantime

8/11/12

FeedBack w. Wes Nyle. EP23. Hacienda. 08.10.12


Music has a special harmony and rhythm when a band is bonded by blood. The Allman Brothers, The Kings of Leon, The Jonas Brothers!

The point is: Credence is owed to Hacienda, a four-piece from San Antonio, TX who earned their first professional recording, before a Black Keys show, when they laid their six-song demo on Dan Auerbach. The boys form the Black Keys have been in my line of site a lot lately it seems. We talked about Patrick Carney last week helping with Tennis’ new release. In the same vein Dan has helped fellow indie two piece JEFF the Brotherhood with their new album Hypnotic Nights. And does it not strike you a little coincidental that along with the infamous album of the Keys’ titled Brothers that Dan also has his mixer fingers in the latest release from Hacienda. A band comprised of three brothers and one cousin.

Luck or persistence the group made it work after years of being unsatisfied with bands that didn’t understand what each individual was going for. Abraham Villanueva and cousin Dante Schwebel, were experiencing this in the early version of Hacienda with a rhythm section that wasn’t meshing. But as fate would have it Abraham’s brothers Rene and Jaime were having creative differences with their band. The natural fix was to create a band that was bonded by something thicker than talent or friendship.

The Beach Boys shine bright as an influence on Hacienda’s early work. And for critics to compare the music of this relatively young Texas indie band to an American classic has to mean something. Their third album Shakedown has taken on a life of its own, showing courage in experimentation. Heavier driving guitar and pounding 4x4 drums leaves me excited for what will come next from this band who has yet to create a full length less than two years apart.
This is Hacienda.

Download Hacienda’s new album Shakedown for only five bucks.

Tracks Heard On This Podcast:
Useless and Tired
Another Day
I Keep Waiting
Go To Get Back Home
Don’t Keep Me Waiting

8/2/12

FeedBack w. Wes Nyle. EP22. Tennis. 08.03.12


When a man and a woman really love each other they play in a 60’s style synth driven band together, go on sailing trips, and find no need for a bass player. This is where babies come from.

While attending philosophy classes in Denver, a relationship between Alaina (alaianna) Moore and Patrick Riley began to bud from a room of twenty-five people with only two girls in it. What started as common interests in philosophy, adventure, and travel would bloom into what we know now as the trio named Tennis.

Moore says that she hadn’t thought to even ask Patrick about the guitar in his closet until years after they had known each other, for fear of hearing a Dave Matthews cover form another college frat boy. The idea for Tennis’ music came to them while on a sailing sabbatical. Moore says the two of them were in the Florida Keys and heard The Shirelles’s – Baby It’s You, and wondered why more modern music didn’t have this aesthetic.

The theme for Tennis’ freshman album Cape Dory came from the couple’s inaugural sailing trip. Moore says that she doesn’t like to come up with music unless her and Patrick can determine even a vague theme for the groups work. After touring for their first album, the group sought more inspiration. Patrick said it was hard to be creative while on the road, so the two of them sold all of their equipment to fund another sailing adventure.

This husband and wife band with friend and drummer James Barone, have successfully found inspiration again. And I’m almost certain that there may have been some sparks from the producer of Tennis’ latest Young & Old: The Black Keys’ Pactrick Carney.

Tennis has just wrapped up playing almost every important late night talk show in America and plans on wrapping up their 2012 tour in October with dates in Houston, Dallas, and Austin’s City Limits Festival. And I’m in Texas so that’s important to me.

This is Tennis.

7/26/12

FeedBack w. Wes Nyle. EP21. King Tuff. 07.27.12


An artist worth their salt won’t stop creating their art, even if it only challenges a slight preconceived notion of who they may be, or what they’re able to do.

Our hero, Kevin Thomas’s, story begins in Battleboro, VT where meets a like-minded artist in the record store he works at. Kurt Weisman, and Thomas would collaborate on some songs and then seemingly by magic the two would start what indie rock critics label as a cult-like folk ensemble, by the name Feathers.

While gigging with Feathers Kevin, would attract the attention of Sub Pop legend, and Dinasour JR front man J. Mascis (Maskis). Mascis had the idea to lay off the guitar and sit behind a drum set, in the band Witch. A band Mascis had started with longtime friend and bass player Dave Sweetapple. The sound was an early 70’s version of heavy metal with Kevin on lead guitar and vocals.

A marriage of these two sounds would birth King Tuff: A persona taken on by Thomas when recording an album in his house. Even if it didn’t catch on right away word of mouth helped distribute this recording, and grow Thomas’s popularity in the deep-deep underground, indie music scene.

While working with his new project, Happy Birthday, Thomas says that people started asking about King Tuff. The word of mouth and popularity had grown so exponentially that the decision to go back to his old band seemed almost subconscious. Although not much of a stretch from Happy Birthday, four years later Kevin has created his second album with King Tuff. This self-titled effort was released on Sub Pop Records. Does the distribution come with help from former band mate Mascis? If not then I like to think that his Bob Dylan/ Mic Jagger vocal baby of a voice got him the record contract.

This is King Tuff.

Tracks Heard In This Podcast:
Feathers – Come Around
Witch – Seer
King Tuff – Sun Medallion
Happy Birthday – Subliminal Message
King Tuff – Keep On Moving